Cables, electronic circuits, speakers, headlamps… “Aleph” is a sound ritual.

A dancer winds her way through the darkness, her body emitting light. She glows in the dark like a constellation.

Vittoria Toscana

“Her movements activate photosensitive circuits suspended in space. The frequencies emitted are the voices of the invisible. The dancer and I are like the two protagonists of a spiritualist evocation, two mediums who shape darkness and sound. At the mixer, I manage the sound track that the performer creates with her movements, I control the volumes, I give shape to the possibility and I listen. Each stage of the dramaturgy produces a frequency, like a sign language in the dark.” – Vittoria Toscana

The project is inspired by the exploration of the invisible, frequencies, the link between sound waves and light waves, the emotionality of architecture, and the way in which movement, light, and sound shape the environment that hosts them and vice versa. Each edition of the performance is site-specific; the analogue sound produced by the oscillators is never the same and changes each time it is presented, as do the stages and dramaturgy, which vary depending on the location in which they take place.

Vittoria Toscana (she/her) is an Italian visual artist and sculptor currently based in Brussels. Her work revolves around the themes of memory, identity and the interaction between individual and collective history. After studying painting at the Brera Academy of Fine Arts in Milan, she obtained a master’s degree in sculpture at ENSAV La Cambre (Brussels). In collaboration with the ULB, she devoted her thesis to the apocalypse.

She is currently in residence at SAFFCA. Her work has been displayed in Italy and Belgium in independent and institutional spaces. In 2021, she co-founded ComoContemporanea, an artist-run space in Como. Combining symbolic objects and manual processes, her work is inspired by feminist, anthropological and ecological perspectives. She works through sculpture, drawing, sound, smells and performance.

Claudia C. Fiore (she/her) is an artist born in Turin and based in Brussels. She practises an interdisciplinary approach that encompasses dance, costume design and theatre, with a particular focus on performance. She combines various media, including textiles, drawing, choreography and music, while borrowing specific bodily techniques from disciplines such as rhythmic gymnastics and circus arts with the aim of offering the audience playful and participatory experiences.

 

Infos

DATE CONTENU
2026/04/252300 25.04.2026
23:00
Studio Thor, Saint-Josse-ten-Noode
 

In collaboration with Claudia C. Fiore.

Duration: 25 minutes

Note: Strobe lights and loud volume

Program

Performers

Naya Alezina (ISAC), Garance Buxtorf (ERG), Sélim Clérin (ERG), Yuna Choi (La Cambre), Garance Debert (ERG), Plume Ducret (Master Danse), Pierre Gosée (ARTS2), Maël Keppenne (La Cambre), Émilie Masson (AC’T), Vittoria Toscana (La Cambre).

The Next Performance Art Generation

Every two years, (Pas si) Fragile! takes the pulse of emerging performance art.

This spring, 10 performances fresh out of the oven and ready for consumption on the same day, reflecting the moods of our time. More ironic than dramatic, more poetic than political, 10 escapades off the beaten track, away from overused themes and established formats.

Welcome to the fresh air!

Partners & support

(Pas si) Fragile! 2026 is a project led by Studio Thor, in collaboration with Infini théâtre, GC Ten Noey, Ateliers Mommen. With the support of Wallonia-Brussels Federation, WBI (Wallonia-Brussels International), WBTD (Wallonia-Brussels Theatre/Dance), Municipality of Saint-Josse.

About

(Pas si) Fragile! – the Next Performance Art Generation, the biennial springboard showcasing young artists involved in performance art, is back this spring.

With a different format for each edition of the festival, the audience gets to meet emerging artists who have recently graduated – or are about to graduate – from visual arts schools in Wallonia-Brussels. This year, these schools are La Cambre, ISAC, ERG, Master danse, ARTS2 (Mons) and the Académie des Beaux-Arts de Tournai (AC’T).

This new edition will take place at Studio Thor and its surroundings and consists of a public programme of 10 performances on 25 April, from 5pm to 11pm.

The 10 performances at a glance

Naya Alezina invites us into a state of prolonged falling, a perceptual slide towards the depths, passing through text-matter and the crawling of a body that stirs and distorts the gestures of celebrities – through a dark, stripped-down space lifted from below. 

 

Garance Buxtorf explores writing as movement, through poems written on the mist of a window and listened to individually on headphones. 

 

Sélim Clérin proposes to challenge physical learning and educational systems through collective and participatory practice: from familiar arrangements to unfamiliar ones.

 

For many hours, Yuna Choi undoes one dress to make another: in this process stress, anxiety and expectation are expressed. 

 

Garance Debert embodies various domestic objects, in the manner of an internal and polymorphous cabaret, exploring the question of the ability to inhabit one’s body. 

 

Plume Ducret plays with her accomplice, folding a sheet of paper to connect with soothing territories: how can comfort be a resource for resistance?

 

Pierre Gosée, in a kind of ‘product demonstration’ of a cognitive visualisation interface, blurs the line between innovation, commerce and fiction. 

 

Maël Keppenne writes a text in real time, which is projected, where intimacy and eroticism heat up before our eyes, between text, body and desire. 

 

Émilie Masson uses live drawing and folklore in public spaces to question memory, transmission and the place we are granted or denied. 

 

Vittoria Toscana invites us to an immersive sound performance, where dance, light, sound and architecture interact, aiming to transport the audience into an heterotopic moment.

 

Box Office

Free entry for all performances, but reservations are required. Please note that some performances have limited capacity.

Tickets will be available on 25 March.

 

Practical Information

Admission to the performances is free, but reservation is required.

Doors open from 4:00 PM.

The bar is open in the foyer of Studio Thor.

Public transport (STIB): Metro lines 2/6Madou. Bus 29 / 63 / 59Saint-Josse. Bus 57Gutenberg

Villo! bike station: Place Saint-Josse

Locations

Studio Thor and Infini Théâtre
Rue Saint-Josse 49, 1210 Saint-Josse-ten-Noode

Ateliers Mommen
Rue de la Charité 13, 1210 Saint-Josse-ten-Noode

GC Ten Noey
Rue de la Commune 25, 1210 Saint-Josse-ten-Noode

Public space
from Studio Thor to Place Saint-Josse and Place Houwaert (itinerary TBC) – 1210 Saint-Josse-ten-Noode

Contact

info@thor.be

+32 (0)2 223 26 00

For questions related to ticket reservations, please send an email directly to tickets@thor.be