While Thierry Smits usually prefers that dancers incarnate concepts, here, they are also actors engaged in a theatricalized story. The characters involved, a royal couple and three knights, evolve against a deliberately narrative soundtrack that oscillates between contemporary compositions and techno or Celtic music. During a feast, the queen is offended. She loses her taste for dance; her subsequent unhappiness instigated sterility throughout the land. Powerless, the king summons three knights who embark upon different quests, culminating in a fight with the dragon and succeed, together, in making the queen dance once again. The monarch and the kingdom are thus resurrected. The choreographic language eclectically combines a gestural language akin to pantomime, classical accents, dance steps inspired by Celtic folklore and contemporary ruptures.