Slowly evolving, the performance shifts from apathy to frenzy,  from reserve to provocation on a stand filled with a whitish, viscous liquid. The audience, which is given a white apron in order to attend the performance, becomes part of the scenography; it is as though they belong to the laboratory staff and thus voyeur-like can observe this indefinable being. Confronted with this captive and devoted creature, half-docile, half-rebel, with an uncompromising gaze, they veer from one extreme to another, between unease and fascination.