Without being restrictive, the dramaturgy is built around these three visual artists in whose work the body represented a major challenge by being simultaneously the object of impulses and frustrations, a medium for exultation and affliction, as well as being their pet subject. The performance thus explores human physicality by following the strikingly divergent approaches these artists developed: in Mapplethorpe, a quasi-classical, photographic and realistic vision; in Caravaggio, a resolutely baroque conception, and in Bacon, a fragmented and fragmented perception. The use of costumes, make-up and lighting, scenography, enhances the thematic background through an artificial treatment which astonishingly contrasts with a choreography intensely focussed on physical presence without being affected by what lurks around it. The music, composed in tandem, also acts upon movements whose sequences are elaborated without its support.