Hip Hop, a generator of use.

Regularly, through the movements of the body, the bounce, producing a flow, mixes intuition with subjectivity. “Flow” and “bounce” are words frequently used in Hip Hop culture, sometimes the usage tries to link itself to the form, but what can generate these so vague words? Can they have definitions? Can they give other readings to the movement?


Milø Slayers

After completing a Master’s degree in “arts and choreography” at the age of 28, Milø Slayers finished the “urban space” art course at the ISAC (Institut Supérieur des Arts et des Choréographies) in Brussels within the Royal Academy of Fine Arts. In this course, the focus was on bodily practices in a wide field between choreography and visual arts: how to use the body as a plastic material and as a receptacle for reflection?

This combination of pure physicality and philosophical inspirations has always inspired Sleyers’ work. From Descartes to Deleuze to the philosophy of Football Manager or non-Euclidean video games, he likes to be inspired by deep structures and their simultaneous deconstruction in order to translate these ideas in a rather intense, intuitive and visceral way.



2022/09/102215 10.09.2022
Studio Thor, Brussels
2022/09/102315 10.09.2022
Studio Thor, Brussels



Since several years, visual arts schools in French-Speaking Belgium dedicate part of their curriculum to live art: a response to the new dynamics of these practices in the professional field. One can see new generations of artists appearing, taking over the Belgian and international scenes of performance art, with individual or collective works, multiplying collaborations… They don’t make performance art like their elders, they invent new forms, which need new showing spaces.


A project of ENSAV-La Cambre, in partnership with erg and in corealisation with Studio Thor. Thanks to the suggestions from Le 75, ARBA/ESA (ISAC), ARTS², Beaux-Arts de Liège, Académie Beaux-Arts Tournai. With the support of KANAL – Centre Pompidou, the Wallonia-Brussels Center (Paris), FiPA-ESA (Financing of artistic projects in Higher Artistic Education schools), the Ministry of Higher Education of the Wallonia-Brussels Federation an of the Embassy of Spain in Belgium.


(Pas si) Fragile!, the next performance art generation, the biennial which focuses on young artists involved in performance art, is back in autumn 2022, in a specific form.

In Presence

Three major women performance artists from abroad: Esther Ferrer (ES/FR), Vivian Chinasa Ezugha (NG/UK) and Kubra Khademi (AF/FR). They will present their practices in the framework of a public encounter, will perform personal works, will mentor a dozen of selected young artists, and will give workshops.

Ten performances made by young artists about to leave or recently graduated from art schools: Igor Adamskiy (Arts2), Hilal Aydogdu (Beaux-Arts de Liège), Mejdi Dridi (Académie Beaux-Arts Tournai), Julia Droga (La Cambre – erg), Clyde Lepage (Le 75 – erg), Benjamin Muzart (La Cambre), Dounia Dolbec and David Ramalho (La Cambre), Alexane Sanchez (Saint-Luc – La Cambre), Milø Slayers (ARBA-ESA (ISAC), Loïs Soleil (erg).

Box Office

Booking: info@thor.be

+32 (0)2 223 26 00

Free Entrance


Specific booking

Attention some performances have limited capacity. They need to be booked on the spot.


ENSAV-La Cambre, 21 Abbaye de la Cambre, 1050 Brussels

erg, rue du Page 87, 1050 Brussels

Studio Thor, 49 rue Saint-Josse, 1210 Brussels


Workshop registrations

Your participation in Kubra Khademi or Vivian Chinasa Ezugha’s workshops requires a registration.

To apply: please send a motivation letter and a link to a performance video to production@thor.be before 1/09/2022.


+32 (0)2 223 26 00