Dressed in her finest outfit, hair done and well made-up, the artist waits for her Prince Charming. On a bench, in a public garden, a first encounter to find the right one…

Hilal Aydoğdu (BE)

Without any forethought, it is the day on which Ramadan comes to an end that Hilal Aydoğdu prepares to fast the entire day. She seeks to be nourished, not with food or drink, but with presents, which visitors come to bring her throughout the day.

“We’re constantly looking for our other half somewhere out there the world. Talk about the fear of ending up one’s days living with cats is recurrent. I often hear how reassuring it is to have a life-long partner, and so I get used to the notion that it would be easier for me to share myself in an attempt to feel better, to reassure myself. I can recall all those marriages, all those young faces excited to meet the unknown body for the first time. That deep desire for the other hidden between heartbeats. And what if they were just pretending? And what if I had been seen with all these different men, my eyes devouring theirs? What if it had been noticed that I, too, am filled with desire?”

Just graduated from a master’s degree course in drawing at the Beaux-Arts de Liège, Hilal Aydoğdu has been performing for several years, a practice she deepened at La Cambre. Her work has already been presented at the festival Trouble #11 (“Kefen”) and during (Pas si) Fragile! 2022 (“Misafirperver”), she probes her position as a woman in a man’s world.

Infos

DATE CONTENU
2023/04/220635 22.04.2023
06:35 > 20:49
Square Marie-Louise, Brussels
Réservations
 

Performance face-to-face, in public space.

Duration: +- 30′

Appointment by telephone (+32) 0499.83.13.12 or try your luck directly on site (waiting list).

As part of ESCALATOR – the new segment of the festival devoted to young, freshly graduated artists just breaking out.

With the backing of the Fédération Wallonie-Bruxelles (Promotion de Bruxelles).

Trouble #12 « It’s about time » 

Trouble #12, « It’s about time » : it’s the question of time (and especially the time we allow for ourselves, that we give to relationships and to works so that they can resonate) that will be at the heart of the Brussels biennial of performance. To survey notions of historical time, stolen time, out-of-time, time loops, generational differences, protracted periods … or on the contrary, very brief moments. Are you losing your bearings? It is high time that Trouble comes back to trouble you!

 

Full programme

Partners

In partnership with KANAL – Centre Pompidou, Charleroi danse, La Balsamine, Maison des Arts, ENSAV – La Cambre, Halles de Schaerbeek, GC Ten Noey, Ateliers Mommen, Fondations 312, ESA Le 75, W-B T/D, Calame, Femma, Wiegwijs, Radio Panik, Institut européen de la culture arabe and Infini théâtre.

With the support of Fédération Wallonie-Bruxelles (Service de la danse, Service des arts plastiques and Promotion de Bruxelles), Creative Europe programme of the European Union (project « Time For Live Art »), Commission communautaire française, Région de Bruxelles-capitale (Image de Bruxelles), City of Saint-Josse-ten-Noode, Wallonie-Bruxelles International, Embassy of Canada, Embassy of the Kingdom of Netherlands, Performing Arts Fund NL, Pro Helvetia, ENSAV – La Cambre.

About

The Performance Event in Brussels is Back!

Launched in 2005, TROUBLE has ever since been the international performance event in Brussels. As of 2019, Studio Thor has been organising and producing the Festival, with its studio and environs in the heart of the city’s popular commune of Saint-Josse serving as its nerve centre. TROUBLE is held every two years, in the odd years.

Trouble: philosophy

TROUBLE has retained the ingredients that ensured its previous successes. With its dense and wide-ranging program, the five-day long event focuses on numerous artistic proposals that are both out-of-the-ordinary and differ from routine formats. Performances involving the human body, yet created by artists whose roots are in the visual arts, contemporary dance, experimental theatre, oral poetry, music or the night scene… for a vibrant mix of artistic families and audiences. Instead of spectacle/s meant for mere consumption, real-life experiences are on offer: self-involvement, risk-taking, vulnerability, interactivity, finely balanced between local personalities and artists from elsewhere–– and often discoveries. To ensure a more diverse vision of art, our program gives pride of place to women, queers, racialized and minority groups. We also offer a platform to young artists, thanks to the collaboration with the performance course at Brussels’s renowned visual arts school La Cambre (ENSAV). While the Festival incorporates a demanding reflective aspect, it by no means excludes an engaging playful dimension!

 

Box Office

PAY WHAT YOU WANT

  • 4-day pass: 30 > 60€ (full price: 40€)
  • 1-day pass: 8 > 21€ (full price: 12€)
  • 1 performance: 5 > 10€ (full price: 8€)
  • 1 performance – free price: 0 > 15€ (full price: 8€)

 

Booking & tickets

 

Access

Studio Thor

49, rue Saint-Josse, 1210 Saint-Josse-ten-Noode

STIB: métro 2/6 (Madou), bus 29/63/59 (Saint-Josse), bus 57 (Gutenberg)

Villo: station Place Saint-Josse

Vélo: merci d’attacher vos vélos place Saint-Josse.

Le Studio Thor est le centre du festival Trouble.

 

Contacts

info@thor.be

+32 (0)2 223 26 00

Places

Studio Thor – rue Saint-Josse 49, 1210 Saint-Josse-ten-Noode

GC Ten Noey – rue de la Commune 25, 1210 Saint-Josse-ten-Noode

Institut Européen de la Culture Arabe – rue de l’alliance 2, 1210 Saint-Josse-ten-Noode

Ateliers Mommen – rue de la Charité 37, 1210 Saint-Josse-ten-Noode

Fondations 312 – rue Royale 312, 1210 Saint-Josse-ten-Noode

Place Saint-Josse, 1210 Saint-Josse-ten-Noode

Chapelle de l’Abondance – rue de l’Abondance 25-31, 1210 Saint-Josse-ten-Noode

La Balsamine – avenue Félix Marchal 1, 1030 Schaerbeek

La Maison des Arts – chaussée de Haecht 147, 1030 Schaerbeek

KANAL (K1) – avenue du Port 1, 1000 Bruxelles

Square Marie-Louise, 1000 Bruxelles

Digue du Canal, 3 – crossroads with Dante street, 1070 Anderlecht